Matthew Sweeney

Matthew Sweeney  

email: 
matthewsweeney 
AT 
writersartists.net


   
type of work biography
publications press
website links residencies
awards & honours teaching
sample of work  
   

  • Gives readings throughout Britain, Europe and elsewhere, at festivals or one-off events. 
  • Runs workshops for adults and children. Frequent tutor of Arvon Courses. Writer in Residence at Arts Centres (South Bank Centre), Universities (UEA; Reading), Poetry Festivals (Aldeburgh; Ledbury, Stanza) and other organisations. Regular visitor of schools, both primary and secondary, including International Schools around Europe.
  • Experienced in cross-arts projects, in the South Bank Centre, Barbican Centre, Tate Gallery and elsewhere, working with composers, visual artists, filmmakers, animators, jazz and rock musicians.
  • Judge of Poetry Competitions on many occasions, including the National Poetry Competition and the Cardiff Open, but also many smaller competitions.
  • Book reviews for the Observer, Times Educational Supplement and Poetry London.
  • Frequent involvement in radio programmes for BBC and other organisations. Occasional television and video work.
  • Currently trying to finish a long-delayed book of stories. There is also another children's novel that is awaiting publication, and  a half-written joint novel, with John Hartley Williams - a satirical thriller, set in the world of contemporary poetry.

 

Black Moon (Cape, 2007)

Sanctuary (Cape, 2004)

Selected Poems (Cape, 2002); a variant of this published in Canada, in 2002, under the title A Picnic on Ice by Signal Editions, Vehicule Press.

Up on the Roof: New and Selected Poems (Faber, 2001)

A Smell of Fish (Cape, 2000)

The Bridal Suite (Cape, 1997)

Emergency Kit: Poems for Strange Times
(Faber, 1996); co-editor (with Jo Shapcott).

More publication details here...

 

"Ambitious and troubling, linking Ireland to the Black Sea and madness to history, grim as death and very funny, Black Moon insists that the worst is yet to come, which may in turn bring out the best in Sweeney." Sean O’Brien: Guardian Unlimited Book Review,  August 2007.
http://books.guardian.co.uk/print/0,,330326683-110738,00.html

Alan Brownjohn in the Sunday Times poetry round-up: ‘Haunting fables of entrapment or imprisonment, of troubled sleep, of persecution and loneliness treated with Kafkaesque attention to detail.’  

'Funny, surreal, tender, fantastic, earthy... '  (Helen Dunmore)

"He is the true master of secret narratives... one of the best poets around."
John Lucas

"Twenty five years' work finds Sweeney at fifty with a rich trove of memorable, funny, alarming poems whose very readability at times disguises their complexity. Here is a poet who has never allowed himself to be distracted - a poet, too, whose work all those of us who think we know it well had better read afresh."
Sean O'Brien, reviewing Sweeney's Selected Poems, Poetry London

"He is probably the best example of modern pan-Europeanism in poetry.... Poets will unmistakably see its freshness, its diversity and its originality. And it is exactly this fact that makes Sanctuary a must-read."
Nicolas Cobic, The Wolf

"Sweeney keeps returning to the thought of how much we have to negate in our effort to be ourselves, to stay alive... Sweeney's imagination is fascinated by all the ways we say no to experience, and how those denials build an enigmatic and above all deeply personal architecture around us."
Clair Wills, The Irish Times

"Here is the fabulist's art, simplicity of statement, a close logic in the sequence of actions, an economy of images and characters. The effect is utterly cogent, yet it defamiliarises what we know. Perception and logic are both exact, but re-aligned at a slight variance from each other. We have seen this defamiliarising purpose in Kafka, and in the work of Vasko Popa, Miroslav Holub and others, but Sweeney makes of the method his own world."
Alan Gould , Quadrant

 

(2007)  

 

Black Moon: Programme of Readings in Autumn 2007

sep

  Saturday 8 September: Dresden Bardinale Festival, 8pm

Tuesday 11 September: Poetry Ireland, Dublin

Wednesday 12 September: The White House pub, Limerick (Contact: Dominic Taylor, 087 2996409 / whitehousepoets@eircom.net)

Thursday 13 September: Galway University (Contact: John Kenny / john.kenny@nuigalway.ie)

Friday 14 September: Sheridan’s Wine Bar, Galway 8pm (Contact: Kevin Higgins / kphiggins@hotmail.com)

Saturday 15 September: Rathmullan, Flight of the Earls Commemoration Programme (Contact: Sean Hannigan / sean.hannigan@donegalcoco.ie)

Monday 17 September: University of Chichester

Friday 21 September: Jersey workshop

Saturday 22 September: Jersey Arts Centre, 8pm (Contact: Daniel Austin / director@artscentre.je)

Monday 24 September: Dumfries & Galloway Arts Centre

Tuesday 25 September: Oxfam benefit, Oxfam Bookshop, Marylebone (Contact Todd Swift / toddswift@clara.co.uk)

Thursday 27 September: City Screen, York 7.30pm (Contact: Elizabeth Sandie, 01904 643129 / elizabeth.sandie@byinternet.com)

28 – 30 September: Kings Lynn Festival

 

oct

 

Tuesday 2 October: Wordsworth Trust

Friday 5 October: Sibiu/Hermannstadt Festival, Romania (check date)

Thursday 11 October: Cheltenham Festival (plus workshop)

Friday 12 October: Durham Literature Festival

Saturday 13 October: Beverley Literature Festival

Sunday 14 October: Beverley workshop

Sunday 14 October: Ilkley Festival

Tuesday 16 October: Nottingham Trent University (contact: John Lucas, 0115 9251827)

Thursday 18 October: University of Hull (Contact: Cliff Foreshaw / c.foreshaw@hull.ac.uk)

Friday 19 October: Wivenhoe, Essex (Contact: Chris Tanner / emma.chris@tiscali.co.uk)

Tuesday 23 October: Royal Oak pub, Lewes (Contact: Mark Hewitt / mark.hewitt@virgin.net)

Thursday 25 October: Dead Good Poets Society, Aberdeen (Contact: John Smith / jsmith@aberdeencity.gov.uk)

Saturday 27 October: Preston (Contact: Alan Dent / alandent1@hotmail.com)

 

nov

 

Tuesday 6 November: Dylan Thomas Festival, Swansea (Contact: David Woolley / David.Woolley@swansea.gov.uk)

Thursday 8 November: Oxford University Literary Society (Contact: Chloe Stopa-Hunt / chloe.stopa-huntnew.ox.ac.uk)

 

 


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